Dylan Parker

Dylan Parker is the founder and primary contributor of Theology (re)Considered. Together he and his wife Jennifer raise their daughters, Sola Evangeline and Wren Ulan. He received his B.A. in Biblical and Theological Studies from College of the Ozarks and his M.A. in Christian Studies from Dallas Theological Seminary and is pursuing his PhD in Theology at Fuller Theological Seminary.

Fellowship with Darkness: On whether Christians can watch horror movies

Do not be yoked together with unbelievers. For what do righteousness and wickedness have in common? Or what fellowship can light have with darkness?

October 2013, sitting around the lunch table, some friends and I decided to hit up some local haunted houses. We left an open invite to any who wanted to join us. A few took us up on our offer, but I’ll always remember one specific response. “No, I don’t do that sort of thing,” she said. “What fellowship can darkness have with light?” Despite the horrible twisting of 2 Corinthians 6:14 so wildly out of context, many Christians are reticent to engage with horror.

Another October some years later, I was working in a faith-based thrift store. The background music started playing “Spooky, Scary Skeletons”, a children’s Halloween song about misunderstood skeletons wanting to socialize. One customer, bothered by such unwholesome lyrics, asked us to change it to something more holy.

“Christians don’t listen to stuff like this.”

Mike Duran published an article with The Gospel Coalition in 2018 titled, “Why the Popularity of Horror Movies Might Encourage Christians”. He basically argues that the ongoing appeal of the horror genre should interest the church for what it tells us about ourselves and the world. The responses were telling.

One commenter accused Duran of justifying his own “creepy indulgence”. Several added their disappointment that TGC would publish such an article. Many commenters charged horror with opening a doorway to hell and giving Satan a foothold in the lives of viewers. But the most revealing comment was also one of the shortest: “I don’t watch evil movies”.

There are those who don’t consume horror stories simply because they don’t like the stimulation or don’t like contemplating horrific things. This is fine and fair and, as a rule, I don’t try to convince people to watch horror if it makes them genuinely uncomfortable. However, individual discomfort often twists into an assumption that horror affects everyone the same way–or should affect everyone the same way– with a deep suspicion towards those who claim otherwise.

Consuming horror is considered unwise at best and perhaps even sinful by many Christians. This post looks at two of the main objections to the horror genre and asks the question, can Christians watch horror movies?

Objection One: The Devil’s Foothold

There is a general fear among Christian circles that watching horror movies with supernatural influences might “give the devil a foothold” (Eph. 4:27). This oft cited verse is actually about resolving our anger (v. 26), but could include a seriousness about lying (v. 25), stealing (v. 28), discouragement and derision (v. 29), and bitterness or malice (v. 31). Conspicuously absent is any prohibition against watching scary movies. But the avoidance is not a matter of exegesis, so I digress.

At large, Christians don’t actually draw the line at supernatural content. Many Christians love C.S. Lewis’s The Chronicles of Narnia, which includes witches, werewolves, and wraiths. Many Christians devour the works of JRR Tolkien, whose main villain is a necromancer, include ghosts and even demons, and depict swamps filled to the brim with corpses. Of course, in these books and films, the dark supernatural forces are evil and are defeated by the protagonists, highlighting the triumph of good over evil.

This is something they share with most horror media.

Ironically, the films that seem to be the easiest targets (like The Exorcist or The Conjuring) are also accused of being Christian propaganda for the way that they depict evil overcome by the power of faith in God. Far from depicting the triumph of evil, horror often depicts the defeat of evil by the forces of goodness and faith.

If Satan is given an automatic foothold while watching horror films that portray his own defeat by the power of Christ, what about other movies that display human suffering? Will watching Schindler’s List give Satan a foothold? Or was the devil not at Auschwitz? I wonder, too, if Satan would enjoy watching The Three Stooges. After all, the long-running comedy treats pain – a product of the curse of sin and rebellion against God – as humorous. One wonders if Christians believe that sin is a laughing matter.

The point is neither that slapstick comedy is sinful nor that Lucifer watches Saving Private Ryan with a smile, but that the onscreen depictions of evil do not disqualify a film, let alone a whole genre. Christians should avoid darkness, but laughing when someone stubs their toe does not count as fellowship, and neither does cheering when Laurie Strode escapes Michael Meyers.

Objection Two: Too Much Blood

While there are movies that feature almost no blood (The Blair Witch Project, The Others), I won’t argue that horror hasn’t poured out rivers of corn syrup for those in search of graphic violence. Movies like Sweeney Todd, Hellraiser, and Evil Dead come to mind as special offenders. And of course, there’s always that one scene from Carrie.

In 2017, Tony Reinke wrote for Desiring God pondering the “wild success of horror movies in our culture, especially the most graphic and bloody ones”. He was talking about Andy Muschietti’s It: Chapter One, released earlier that same year. Despite no plans of ever seeing the film, Reinke was encouraging Christians to steer clear.

It certainly contains some violence. The movie opens with a sewer-dwelling clown biting off poor Georgie’s arm. In another scene, blood erupts through a bathroom drain, covering the walls and ceiling. However, considering the film’s terrifying premise, the body count is actually quite low: four. Compare this to the critically-acclaimed Saving Private Ryan, which boasts onscreen deaths upwards of 250.

When you really get into it, horror films aren’t actually as gory as many assume. Between 1998 and 2007 (the heyday of movies like Saw), the total average of onscreen gore per film was less than four minutes. Most of this was “passive gore”, like blood splatters and severed limbs. The average horror film actually only spends 50 seconds actively depicting bodily violation. Compare again to Saving Private Ryan, whose opening scene boats a famous 25 minutes of photorealistic slaughter.1

Christians carry with them a fear that watching bloody movies will make violent people. The so-called torture porns (or “gorno” flicks) were supposed to lead to a proliferation of Jigsaw-like serial killers, but the fears have proven unfounded. The world is still waiting to see the rise in horror movie copycats, just as it is still waiting for the promised Satanists and psychopaths nursed on Dungeons & Dragons.

But even if violent films increased aggressive feelings (and there is scant proof of that), why should horror be the only suspect? What about those movies that portray violence in slick, beautiful ways with no lasting consequences for the victims? Horror – unlike John Wick, Tom and Jerry, and every addition to the Marvel Cinematic Universe – depicts violence in all its grisly horror. It admits that it is evil.

Moderation and Grace

Christian filmmaker Scott Derickson once said that some people shouldn’t watch horror films, “and I’m alright with that.” Horror isn’t for everybody, but every genre has its concerns.

Comedy has a knack for being too irreverent, unnecessarily offensive, blasphemous, dehumanizing, and sometimes just gross. Tragedies potentially increase depressive feelings in those who struggle with clinical depression, but Christians are not calling for the mass boycott of such films. Action movies, too, can be mere stimulus, distraction, and revenge-fetishism.

The key is moderation, knowing your own threshold, and healthy portions of grace for those whose threshold is different than your own.

For some people, horror movies are not healthy. If horror spikes your anxiety, floods you with intrusive thoughts, or otherwise makes it difficult for you to function, it may not be wise for you to imbibe. If watching a slasher makes you want to cut open your neighbor, maybe try counseling. Or if watching the latest Marvel film makes you want to leap out of a seventh story window, consider a parachute, just in case.

Otherwise, if you simply reject horror on would-be theological, moral, or otherwise spiritual grounds, I will ask you to reconsider. Everyone – and I do mean everyone – has a sweet spot for fear, whether that’s horror movies, roller coasters, or surprise parties. If you think about it long enough, there are probably movies that you’ve enjoyed that others find scary or troubling, at least in moments. Perhaps you could take a closer look at the genre, albeit with trepidation. You may find that while horror, like Scripture, is filled with violence and blood and all manner of scary things, it can also offer tremendous hope in dark places and a way of understanding the horrors in our world.

  1. Blair Davis and Kial Natale, “The Pound of Flesh Which I Demand”, in American Horror Film: The Genre at the Turn of the Millennium, ed. Steffen Hantke (Jackson: University Press of Mississippi, 2010), 35-56. ↩︎

Returning Forward

Doing Theology as an American-Made Mestizo, Pt. 4

The following is the third part of a series reflecting on a Mixed-Heritage Filipino-American Identity in honor of Fil-Am Heritage Month. You can find part one here.

I will be discussing things like Filipino Invisibility, liminality and in-betweenness, tokenism, and the history of Filipino Diaspora. Some of the experiences will be common to radicalized communities, others will be particular to mixed-heritage persons, and others will be specific to me and my family. Ultimately, what I am building toward is a life-long struggle of theological reflection on mixed-heritage experience. Isang Bagsak.


“Just make sure not to leverage your ethnicity too much.”

I’ve heard this sentiment a few times in academic spaces, the assumption being that I’m not Filipino enough to talk about my experience as a Fil-Am and that, in doing so, I’m really just chasing down diversity points. Enough is a big word in the mixed-heritage conversation.

Am I Filipino enough to talk about my sakada grandfather or my immigrant grandmother? Have I experienced enough racism, tokenism, or microaggressions to admit that it’s hurtful? Have I heard enough jokes about my eyes, been confused for Latino enough times, or had enough people ask me what I think about Manny Pacquiao to consider myself Filipino American? And who gets to decide, anyway?

Mixed-heritage people experience pressure from all sides, within and without, to identify the right way for any given context. The question of legitimate membership in a group always feels contested. We are both-and-neither, betwixt and between, and not quite this or that.

As such, it is both comforting and chaotic to be in places where our non-white ethnicity is expressed and celebrated. If I go to a Fil-Am Heritage Month celebration at my seminary—to eat my childhood food and hear other Fil-Am stories—will I be accepted, or will I be accused of leveraging my heritage to assuage some underlying white-guilt?

I am haunted by the question of belonging.

To Be Kapwa

Many have followed Virgilio Enriquez, founder of Sikolohiyang Pilipino (the Filipino psychology movement), in identifying kapwa as the foundational concept for Filipino worldview.1 While sometimes rendered in English as simply “others” or “both”, kapwa more the unity of the self and others, together.2 “Without kapwa,” says Enriquez, “one ceases to be Filipino… One also ceases to be human.”3

The term, like many indigenous terms, resists one-to-one correspondence with English terms, but Jeremiah Reyes offers a helpful starting place. Instead of translating kapwa as “community” or “fellowship”, which still foregrounds the modern concept of individual selves, Reyes translates kapwa as “together with the person”. For Reyes, “if you want to define kapwa… there is no ‘self'” in the modern sense.4

This doesn’t mean there are no individuals. Instead, individuals receive identity from the group rather than the group receiving identity from the individuals. In the framework of Western individualism, the “self” is the starting point for membership in a community of other “selves” that interact together. In kapwa, together “comes first before you break it apart into separate ‘selves’.”5 Relationality is not a choice, decision, or preference of individuals, it is a web within which individuals are together.

Furthermore, we mustn’t understand kapwa as the Filipino version of “others-centeredness”. Kapwa does not set the other up over the self any more than the self is set up over the other. They are both, to accept Reyes’s definition, together, so that collective identity is ontologically prior to individual identity.

More could be said on the psychological logic of kapwa. Suffice to say, the Filipino concept of kapwa demands the communal identity and solidarity of all Filipinos, including Fil-Ams. Being together—in community—is what makes any of us human. If one of us is hurting, we all hurt in kapwa. If one is dehumanized, we are all dehumanized. And yet, Fil-Ams do not always experience kapwa.

Reclaiming Kapwa with Tainted Blood

The denials and reclamations of kapwa have added layers for mixed-heritage peoples. It is, as one Filipina-American put it, to feel both ashamed and guilty of being mixed, feel part-oppressed and part-oppressor.6

In seeking for permission to identify—to claim their families and their stories—mixed-heritage persons are seeking humanity. We were not meant to be fragmented, invisible, or ambiguously liminal. We are meant to be kapwa—together.

For Fil-Ams, reclaiming kapwa is an act of resisting colonialism and an act of liberation. As a mixed-heritage Fil-Am, my connection to kapwa is always contngent and mediated through my experience with others—whether white or brown—to whom I look for permission to identify and voice various pieces of my identity. My kapwa is up for debate and deliberation in the communities I inhabit, accepted or rejected on their terms. With my kababayan, I am invisible to dominant cultures and Asian American communities alike. Among my kababayan, I can still feel invisible. Because kapwa cannot be complete while others are excluded, my kababayan are not yet kapwa until I am kapwa with them.

Yet, I am the product and recipient of multiple immigrations, multiple diasporas, multiple histories, and multiple cultures. In order to reclaim kapwa with tainted blood, I cannot restore a shared identity with only Fil-Ams or other Filipinos. I remain walang kapwa (without humanity) until my together includes my father and my mother—their families, their histories, and their peoples.

Mixed-heritage people defy monoracial and monocultural logics, but we also present unique opportunities for reconciliation and reimagining a multi-heritage world. Kapwa has the potential to unite Filipinos and Fil-Ams, including mixed-heritage Fil-Ams, and because we must be kapwa with all of ourselves, it connects groups which would otherwise remain without the other.

Returning Forward: Mixed-Heritage Revelation 22

Filipino Invisibility rubs salt into colonial wounds and contributes to the loss of kapwa and the difficulty of reclaiming kapwa with our kababayan, with fellow Asian Americans, with the whole community of creation (kapwa-nilalang). Because we are all meant to be kapwa in the communal Image of God, Filipino invisibility is human invisibility. In failing to see us, others fail to see themselves.

As a mixed-heritage Fil-Am, this erasure has meant that there are parts of my humanity that have too long gone unseen by my friends, my family, and myself. But we are not invisible to God. The Spirit of God is moving unseen in our unseen midst as a healer who is restoring our kapwa in his restoration of all of creation. God will make all things kapwa when heaven meets earth and Christ makes his dwelling here.

It is said that on that day the rulers of the earth will bring their glory into the heavenly city. Out of invisibility, Fil-Ams will bring our history, our culture, our heritage, and our gifts to bear on the new creation.

As a mixed-heritage Fil-Am, I cannot “go back” to where I’m from. I live on stolen land, born to a mother from Europe and a father from the Philippines, and I am not from any of them. I can only be present where/with who I am in kapwa and move forward towards the new creation to which God is calling us. From my past, I carry with me a plurality of stories and cultures. When I enter the heavenly city, I will leave none of them and none of myself behind when I enter through the gates.

Walang makakatigil. Isang bagsak.

  1. Virgilio G. Enriquez, “Kapwa: A Core Concept in Filipino Social Psychology,” in Philippine Worldview, ed. Virgilio G. Enriquez (Singapore: Institute of Southeast Asian Studies, 1986); see also E. J. R. David, Brown Skin, White Minds: Filipino-/ American Postcolonial Psychology (Charlotte: Information Age Publishing, Inc., 2013). ↩︎
  2. Enriquez, “Kapwa”, 11. ↩︎
  3. Virgilio G. Enriquez, From Colonial to Liberation Psychology: The Philippine Experience (Manila: De La Salle University Press, 1994), 63. ↩︎
  4. Jeremiah Reyes, “Loób and Kapwa: An Introduction to a Filipino Virtue Ethics,” Asian Philosophy 25, no.2 (2015): 156. ↩︎
  5. Reyes, “Loób and Kapwa”, 156. ↩︎
  6. David, Brown Skins, White Minds, 73. ↩︎

The God who Sees Us

Doing Theology as an American-Made Mestizo, Pt. 3

The following is the third part of a series reflecting on a Mixed-Heritage Filipino-American Identity in honor of Fil-Am Heritage Month. You can find part one here.

I will be discussing things like Filipino Invisibility, liminality and in-betweenness, tokenism, and the history of Filipino Diaspora. Some of the experiences will be common to radicalized communities, others will be particular to mixed-heritage persons, and others will be specific to me and my family. Ultimately, what I am building toward is a life-long struggle of theological reflection on mixed-heritage experience. Isang Bagsak.


2020 was a difficult year for everyone, but in the United States laid a particular burden on the Asian and Asian American communities. Due in part to dangerous media rhetoric and in whole to willful ignorance, hate crimes against Asian Americans skyrocketed. On August 1, 2021, the CBS Sunday Morning show aired a 9-minute special on the history of anti-Asian hate crimes in America. Despite the fact that Filipinos are the third-largest Asian-American subgroup in the United States (accounting for nearly 20% of all Asian Americans), the fact that the Philippines were actively colonized by the United States, and the fact that the first Asians to reach the continental United States were Filipinos aboard a Spanish galleon which docked at Moro Bay, California in 1587… Sunday Morning’s segment did not include a single mention of Filipino-Americans.

Filipino Invisibility

Elizabeth Pisares describes Filipino Invisibility as “an ethnic identity given character by its chronic misrecognition and effaced representation in U.S. culture.”1 While being overlooked and underrepresented is a common burden experienced by all minority groups, Filipinos are rendered uniquely invisible among not only contemporary culture, but among Asian Americans, as well. In nearly every space where Asian and Asian American stories are shared, heard, and championed, Filipinos are forgotten or otherwise not invited to the conversation. Perhaps this is because it is impossible to highlight Filipino-Americans without highlighting the long history of US imperialism and oppression in the Philippines. As America erases its dark past, it erases Filipinos along with it. Or perhaps it is because of the lingering inferiority complex, a product of too many years of colonial oppression.

Whatever the reason, the lack of representation is striking. During the 2018 Emmy Awards, Michael Che joked that there are 15 seasons of the hit television series ER and yet not one episode features a Filipino nurse. Given the fact that the Philippines are the largest sender of professional nurses to the US—a direct result of US imperialism and the establishment of US-style nursing schools in the Philippines—the oversight is glaring.

When you think of Asian Americans, you probably don’t think of Filipinos. When you think of foreign-born contributors to the US economy, you probably don’t think of Filipinos. When you think of Asian food, you probably imagine orange chicken, pad Thai, or pho, not pancit, lumpia, or adobo. And when you think about American atrocities, you probably don’t think of the Philippine-American War.

The same is true in the religious academy. Scarcity afflicts any search for Fil-Am biblical hermeneutics or theological reflection. In a time when theological and biblical studies communities are taking significant strides towards responding to the needs, challenges, and opportunities afforded by the experiences of Asian Americans, Filipinos find familiar oversight.

To highlight just one example, consider the recent T&T Clark Asian American Handbook of Biblical Hermeneutics. Despite naming Filipinos among six major contexts for Asian American biblical hermeneutics in order of relative size of population (Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese), the editors nevertheless fail to include an example of Filipino American biblical hermeneutics. There are several examples from Chinese-American, Indian-American, Vietnamese-American, Korean-American, and Japanese-American perspectives. There is even one from an Indonesian-American, not included in the books overview of major contexts. But there is not a single contribution sourced from a Fil-Am.

This does not mean that Fil-Ams have not contributed to biblical hermeneutics—Eleazar Fernandez being a prime example. The resources are just fewer and farther between for us than for many of our fellow Asian Americans.

The God Who Sees Us

Being unseen, overlooked, and invisible has its consequences. People who feel underrepresented and undervalued can begin to devalue their own culture, their own names, and their own contributions. When struggles are constantly and unrelentingly erased and dismissed, people begin to feel that their burdens do not matter, not to others and not to God. People who do not feel seen often begin—especially to the majority culture—to build their identity, distancing themselves from the things which make them who they are. Erasure is a key strategy in assimilation.

And yet, Scripture is replete with images of a God who sees the vulnerable. In Exodus, God hears the people’s groaning under imperial burdens, sees their plight and knows their suffering (Ex. 2:24-25, 3:7). It is in this context that God gifts the people with the covenant name of Yahweh, who abounds with compassion for the suffering.

In Genesis, when Abram and Sarai mistreat their servant Hagar to the point that she flees into the wilderness, God seeks her out and blesses her and her child. While God would later give his covenant name to the people through Moses, Hagar is the first person in the Bible to name the unnamed God. She names him El Roi, The God Who Sees Me.

For an unseen people, a God Who Sees is an incredible claim. If the church wants to be anything like the God we worship, it will take having eyes to see the invisible and ears to hear the voiceless. This will require, at minimum, learning and telling the whole story of American beginnings. Because we are not practiced in such things, it will mean developing the skills of seeing, listening, and repenting.

For Filipinos, it will mean resisting and ultimately rejecting our invisibility and proudly bearing the marks of our heritage. It will mean telling our stories to anyone who will listen and especially to those who will not. Because even if no one else sees us, El Roi sees us and delights in the gifts we bring to the table. Yahweh knows our plight, bears our burdens, sees our pain, and hears our groaning—and groans with us.


No sooner than I finish typing that last sentence, the fear, anxiety, and insecurity set in. I’m only part Filipino, after all. Dealing with Filipino Invisibility has extra layers as a mixed-heritage Fil-Am, who has often been called white, Mexican, Japanese, Hawaiian, or “something extra”, but rarely Filipino. I am just as much my mother’s son as I am my father’s, so what do I do with the parts of me that have benefited from the oppressive erasure of the other parts of me. Which stories win out and which ones recede into the past to rest with my nameless ancestors? This will be the discussion of our final part in this series on doing theology as an American-made mestizo.

Continue reading Part Four: Returning Forward.

  1. Elizabeth H. Pisares, “The Social-Invisibility Narrative in Filipino-American Feature Films, Positions 19, no. 2 (2011). ↩︎

Surrounded by Swords

Doing Theology as an American-Made Mestizo, Pt. 2

The following is the second part of a series reflecting on a Mixed-Heritage Filipino-American Identity in honor of Fil-Am Heritage Month. You can find part one here.

I will be discussing things like Filipino Invisibility, liminality and in-betweenness, tokenism, and the history of Filipino Diaspora. Some of the experiences will be common to radicalized communities, others will be particular to mixed-heritage persons, and others will be specific to me and my family. Ultimately, what I am building toward is a life-long struggle of theological reflection on mixed-heritage experience. Isang Bagsak.


She was old enough to need a walker and talk like the creaking of rocking chair, but she was sweet and genuinely curious about what my fellow students were working on in the Edwards Mill at College of the Ozarks. Ours was a tourist-centered work-study. We wove baskets, loomed rugs and blankets, and milled flour and grits. Her questions were typicalyour major, where you’re from, do you like going to school here, that sort of thing, questions whose answers we were practiced in giving with great exaggeration.

One by one, she shuffled along and express her admiration at such hardworking youths. She reminded me of my great-grandmother, who had passed away not a year prior, so I wasfor oncegenuinely excited to speak to a tourist. But when she came to me, she stopped her shuffling and stared for a moment too long before asking, “And you, are you from here, or Japan?”

The room got dead quiet as she straightened herself up and glared me down. “I’m not from Missouri, no, but I was born and raised in Arkansas.”

Her gaze unmoving, she replied quickly, “Well, I think I’ll be leaving now, thank you.”

She turned and, without another word, left the building with a scowl on her face. A few nervous laughs while some left for the break room to escape the tension. It was neither my first nor last encounter with racism, but it was the first time someone had ever looked at me with such palpable disdain for my heritage.

I shared the story with some other students, who met with several strategies for explaining away the racism. Perhaps she was just embarrassed that she guessed my hometown wrong. Or maybe she realized she was late for something and I and everyone else just mistook her urgency for malice. But my favorite response went something like this: That sucks, but you have to understand that she lived through World War II, so she’s probably got some valid reasons to dislike Japanese people.

“But, I’m not Japanese,” I’d say.

“Oh, but she doesn’t know that, so maybe show her some grace.”

Despite the long history of troubled US-Philippine relations, Americans are largely ignorant to the history and lingering impacts of American colonial aspirations in the pacific. Fil-Ams carry these stories and struggles with them while others benefit from a chronically short historical memory. So, when an old racist with a walker tells me that my presence is unwelcome, it does not matter that she misidentifies and misremembers. All that matters is that her anxieties are comforted.

But unless we are willing to throw out the Old Testament (and, admittedly, Christians aren’t well-known for appreciation of the Old Testament), we are forced to admit that histories and struggles matter to the formation of peoples and persons. It matters to the formation of Americans as much as it matters to Filipinos and Fil-Ams. It matters to the formation and theological contributions of the churches in America and in the Philippines. And it matters to my career as a theologian.

A Brief History of a Long Oppression

Spanish Colonialism

The Philippines are a string of roughly 7,000 islands that were originally inhabitted, as they are today, by a multiplicity of tribes with impressive intercommunal systems of mutual benefit and collaboration. These were clans with developed political, economic, and military aspirations, connected to the outside world through extensive trade and the exchange of goods and ideas alike. A far cry from the “barbarians” Miguel de Legazpi described, Ferdinand Magellan arrived in 1521 to find diverse, dynamic societies well-versed in shipbuilding, metallurgy, pottery, weaving, weaponry, construction, and artistry.

Magellan’s expedition was, by most accounts, an utter failure. Despite being commonly miscredited with circumnavigating the globe, Magellan’s journey meets a bloodly end just over a month after making landfall in the Philippines. Consumed by delusions of conquest, wealth, and glory, Magellan engaged Datu LapuLapu (a Filipino chieftan), but was outwit, humiliated, and killed, along with most of his men. When all was said and done, the fleeing Iberians limped home withonly one of the five original ships and a mere 18 of the original 260 men.

But the Spaniards would have nothing of resistance or native autonomy, and four subsequent expeditions led to the eventual subjugation of the Philippines under Spanish colonial rule with the capture of Maynila on June 3, 1572. Not only did the Catholic church bless the conquest, but it also provided a theological framework for justifying and implementing the oppression. For the next three centuries, Filipinos were subject to constant exploitation, abuse, rape, slavery, brutality, and injustice of every kind, the price to pay for civilization and the cross.

But Spain could not maintain their dominance forever. Through the resolute actions of Filipinos like Jose Rizal, Andres Bonifacio, Emilio Aguinaldo, Marcelo H. Del Pilar, and Apolinario Mabini (among many others), the Philippines were able to gain control of the strategic island of Luzon and declare their independence, establishing the first Asian government based on a democratically developed constitution.

Alas, the way of empire is never keen to respect the sovereignty of indigenous peoples. So, in 1898, Spain sold to the United States the islands that were no longer—and were never—theirs to sell, marking the end of one war (the Spanish-American War) and the beginning of another.

American Colonialism

The Philippine-American War (the “Forgotten War”) lasted three years (1899-1902). In response to continued resistance efforts in both the Philippines and the United States, President William McKinley advanced the idea of Benevolent Assimilation on the claim that, through prayer, he had come to realize that the Filipinos were unfit, uncivilized, and in need of parental discipline baptized in the blood of Christ. Republican Senator Albert Beveridge of Indiana called the island inhabitants people of “savage blood”, noting that one “must never forget that in dealing with the Filipinos we deal with children.”

The Boston Sunday Globe – The Boston Sunday Globe, March 5, 1899.

Massive propaganda campaigns ensued, culminating in the 1904 “Philippine Reservation” at the St. Louis World’s Fair. The U.S. captured and imported over a thousand Filipinos and detained them in the largest human zoo in recorded history, so that Caucasians could come and see first-hand the savages and their need for American benevolence.

By 1913, American military occupation had resulted in the deaths of an estimated one and a half million Filipinos. In an act of particular (though not unique) cruelty, General Jacob Smith—renowned for his misconduct during the Civil War—issued the famous “Kill Everyone Over Ten” order. His soldiers marched through the islands, killing thousands.

For this and more, the Americans atoned with schools, teachers, military basis, and foreign exchange programs aimed at turning the Philippines into an oriental version of the American Dream. This well-oiled, well-funded, well-planned system of colonialism resulted in a reality where a majority of Filipinos came to believe that they were lesser humans, accepting white supremacy and American elitism. The US, reaching maturity as an imperial superpower, drew heavily on its new colony to supply cheap labor for its Hawaiian sugar fields, Alaskan fisheries, and California farms.

These “little brown monkeys” would find an unwelcoming America, only to be hunted, beaten, dragged by horse, hung, and murdered. The most memorable—and yet, largely forgotten—incident was the 1930 Watsonville Riots, when hundreds of white vigilantes attacked Filipino dance clubs and roamed the streets for days, beating and shooting on sight.

Neocolonialism

The US, like the Spanish before them, did not recognize the humanity of the Filipinos. However, the independence of the Philippines—established in 1898 by natives—was finally (and begrudgingly) recognized on July 4th, 1946. Upon recognition, America refused the promised benefits to most Filipinos who had fought alongside US citizens in World War II, a petty slight for losing their colony. A small price to pay for freedom by a people who had already paid too much.

However, the effects of colonialism continue to haunt the islands and its descendants. Contemporary Philippine society is filled with messages that advance American and Western elitism and the idea that Filipinos are second-class. The US still maintains a military presence in the Philippines. Skin-lightening remains one of the largest industries in the islands as the people try to live up to the American ideal. The construction of economic dependence in the 20th century continues the dark legacy of colonial oppression.

Today, Filipinos demonstrate uniquely high rates of mental health issues, such as suicide ideations and depression, but psychological research on Filipino and Fil-Am experiences remains sparse. Colonial mindsets have led to depression, anxiety, bitterness, and innercommunal conflict. Without significant efforts, these trends will continue.

Surrounded by Swords

There’s a Filipino riddle that goes, Isang magandang señora, libot na libot ng espada. Roughly translated, there is a beautiful lady surrounded by swords. For nearly half a millennia, the Philippines have been accosted on all sides and held under ruthless and dehumanizing oppression. Official colonialism has ended, but the swords remain.

The pressures to assimilate and forget the atrocities of our colonial past are powerful. Growing up, I did not hear any of these stories, neither from the American school system nor from my grandmother. It wasn’t until the summer of 2020 that I learned that my grandmother was an immigrant, that my great-grandfather was a sakada, or even heard his name: Alberto Subia.

These stories are not so much hidden as they are forgotten. Theologically speaking, we are purchasing salvation at the price of denial and minimizing sin. We are refusing that which makes us human by cutting ourselves off from our families, our histories, our cultures, and our lands. We are refusing to become the kind of people the Spirit intends by avoiding hard ethical questions with far reaching implications for God’s world and and its many inhabitants. We must think theologically of the swords.

As a mixed-heritage Fil-Am, I receive all sides of this history. The swords live within my family and within myself. Members of my family have benefited from colonial structures and members of my family have suffered the same. What does it mean to do theology from a place threatened by swords from within and without, haunted by the ghosts of colonizers and revolutionaries alike? The next two posts will engage this question by confronting Filipino Invisibility and suggesting Multi-Heritage reading humanity, community, and the New Heavens and New Earth.1

Continue reading with Part Three: The God Who Sees Us.

  1. Much of the information given above can be found in EJR David, Brown Skin, White Minds: Filipino-/American Postcolonial Psychology (Charlotte: Information Age Publishing, Inc., 2013); Luis H Francia, A History of the Philippines: From Indios Bravos to Filipinos (New York: Abrams Press, 2014), ↩︎

(in)visible to Everyone but Me

Doing theology as an American-Made Mestizo, Pt 1

The following is the first part of a series reflecting on a Mixed-Heritage Filipino-American Identity in honor of Fil-Am Heritage Month. I will be discussing things like Filipino Invisibility, liminality and in-betweenness, tokenism, and the history of Filipino Diaspora. Some of the experiences will be common to radicalized communities, others will be particular to mixed-heritage persons, and others will be specific to me and my family. Ultimately, what I am building toward is a life-long struggle of theological reflection on mixed-heritage experience. Isang Bagsak.


“Ah, I knew there was something different in there!”

“Really? Nothing about you would have told me you’re Filipino.”

“You know, I could tell you weren’t just a normal white guy.”

“So do you, like, eat the food and stuff?”

“What part? How much?”

These questions, however innocent and genuine, often carry assumptions about what it means to meet the mark of ethnic credibility for mixed-heritage people—what it means to count as one thing or the other. You would not know it from my name and, depending on your own social location, you may not recognize it in my face, but I am the product of multiple immigrations. I inherit a complicated European lineage from my mother and, from my father, the stories and struggles of Filipino diaspora.

My great-grandfather was of the manong generation, the “imported ones” who worked Hawaiian sugar plantations during the explicit colonial period of US-Philippine military occupation. My grandmother was born in Ilocos Norte, but was brought to the United States at the age of seven to learn the necessary skills of assimilation, survival, and invisibly. These she passed on to her sons so that, in the span of a single generation, the islands were erased from our stories, our names, our meals, and our minds.

For me and my siblings, the race conversation is always confusing and often painful. In every space I enter, I feel the pressure to identify the right way and find myself seeking signals of permission from those around me to claim not only my identity but my story, my heritage, and my family. Who can I be with these people and whom do I have to leave behind as distant memory? My racial identity is never uncontested, to be determined by others who decide the parameters and validity of my upbringing.

invisibility

Given the contested nature of a mixed-heritage identity, I find a certain level of comfort in spaces where my “Filipino-ness” is rendered invisible. But any comfort afforded by the calm of being unseen is purchased with self-bifurcation, comfort at the price of fragmentation.

The comfort of invisibility is often disrupted by explicit racism that, from time to time too many, has been directed toward my skin, my eyes, and my family, or burdened by jokes and tokenism among true friends. Comfort sits uneasy in the rare-charted complexities of raising two girls who inherit my stories and yet will never be considered Filipina. It is confronted by the constant and unrelenting reality of Filipino Invisibility – that in nearly every space where Asian or Asian American stories and experiences are considered, Filipinos (until very recently the second-largest Asian American subgroup in the U.S.) are forgotten, overlooked, and otherwise not invited to the table.

In these instances, I am left asking whether I am Filipino enough—whether I am enough of my father’s son—for this group of people to speak up for my invisibility and the invisibility of my family. Yet I remain confronted by the fact that I cannot build relationships on pieces of myself. As a father, I cannot raise my daughters in a way that erases my grandparents, my father, and the stories that brought us here. As a theologian, I cannot do theology honestly by hiding parts of who I am from myself, from Scripture, or from the Lord. Without honest naming of self and world, any constructive and healthy theology is impossible.

Self-Naming and Theologizing

All of theology is contextual and demands honest self-naming. No theology is constructed, communicated, or received in a vacuum. Theology that pretends objectivity and neutrality only hides itself from its own biases and presuppositions, preaching absolutes out of contingencies or whims. The world knows no shortage of damage wrought by such theologies.

Maria Root, a multi-heritage Filipina and clinical psychologist, points out that self-naming—one of the breakthroughs of racial empowerment—takes longer to reach the multi heritage community.1 Like many mixed-heritage persons, I carry with me the sense that I am both-and-neither, inhabiting a liminality between multiple social locations. The mono-racial and monocultural logics that undergirds much of society and our social imaginations makes it difficult to identify in any way integral to our past, which is only relevant to the extent that others allow, and we look for permission to validate ourselves.

So, one of the first steps in doing theology from a mixed-heritage is naming that experience so that it can be held honestly within the biblical narrative and shed light on theological tensions. This will be the task of the next several posts in this series on doing theology as an American-Made Mestizo.

Continue to reading Part Two: Surrounded by Swords.

  1. Maria P. P. Root, “Within, Between, and Beyond Race,” in Racially Mixed People in America, ed. Maria P. P. Root, 3-11 (Newbury Park: SAGE Publications, Inc., 1992), 7. ↩︎

Close, Close, Close: Satan, Sin, and The Lord of the Flies

This post contains some spoilers for William Golding’s Lord of the Flies.

Most of the middle school required readings I left untouched or unfinished (sorry Mrs. Cerna). S. E. Hinton’s The Outsiders, Linda Sue Park’s A Single Shard, and Natalie Babbitt’s The Search for Delicious stand out as notable exceptions, but the unread pile looms much larger. I hate to admit, but the same goes for my high school years.

After I graduated college, I decided to revisit some of my old literature syllabi and finally fulfill a few unfinished assignments. I read Gary Paulsen’s Hatchet and Nancy Farmer’s House of the Scorpion, both very different but each a masterpiece, but the clear winner of my newfound affection was – and remains – William Golding’s Lord of the Flies. I return to Golding’s island survivors once every few years and the story always holds up.

For those of you who have never read it, Lord of the Flies follows a group of school boys stranded on an undiscovered island after a plane crash. One of the boys, Ralph, is chosen as chief, much to the chagrin of head choirboy, Jack, who fancy’s himself a better leader (after all, he can sing C sharp). Jack instead will lead his choir as a band of hunters to provide the new tribe with meat. Of course, the boys want to have unsupervised fun on the island, but early agreement is reached on one rule: keep the fire going on the mountaintop. Otherwise, how will they be rescued? But the rules are not followed and the chief is not uncontested.

The writing is simple and the themes are largely conspicuous. Still, with every revisitation I pick up some new appreciation for the desperate insecurity behind Jack Merridew’s mad blue eyes, the stick sharpened at both ends, or Piggy’s broken specs.

The first time I read The Lord of the Flies was quite different. Eighth grade, I distinctly remember my interest peaking with the mention of a “beastie”. This giant snake-thing haunted the island and hunted the littleuns in the night. Imagine my preteen disappointment as Golding increasingly reveals that there is no beastie, only childish nightmares, creeping vines, and one dead paratrooper. As Simon suspected all along, it was all in their heads.

Dull. Unimaginative. Lame. These are words I would have used to describe the book. I wanted monsters and demons to lurk in the shadows and the undergrowth. I wanted the boy with the mulberry birthmark to be right about the serpentine horror. Instead, it was just a figment of his imagination.

Less than a Person

I’ve been studying theology academically for about 10 years now, but my general theological awareness has been growing for the better part of fifteen years. This means that I’ve been recommended a lot of authors, but it also means I’ve been warned about a lot of people out there who are destroying the church (Shane Claiborne, Pete Enns, Greg Boyd, etc.). One of these dangerous heretics was Brian Zahnd.

Now, I have to admit that, much like A Separate Peace, I’ve never read a book by Brian Zahnd, but I’ve heard a few interviews and I follow the guy on Instagram. One of his more recent posts was about evil and Satan (or, “the satan”).

Before we make quick jumps to hasty conclusions, let me hurry to clarify that I don’t necessarily agree with Brian. I don’t think he’s a heretic, either (I think we play pretty fast and loose with this word nowadays). True enough, we take a handful of verses scattered about Scripture and try to force a fully matured theology of the devil out of next to nothing. Should Lucifer or Satan be a person, we don’t really know much about him or his existence.

Regardless of the satanic origin, Brian’s perspective is insightful. Actually, it is similar to Augustine’s comments on evil, not as a thing in itself, but an absence of goodness and an absence of being. Evil is a lack in what is otherwise constituted good: “Evil has no positive nature; but the loss of good has received the name evil” (Augustine, The City of God, XI, CHAP. 9). A hole is both a thing in a sense and not a thing in another sense. In a similar way, evil is both something and nothing. Perhaps, though, it would be better to say that evil isn’t nothing but is un-thing. It is the uncreating of creation, the breaking of goodness and of good relationships. It is, as Brian puts it, parasitic, “the diabolical corruption of the very best.”

More than a Metaphor

The very first time sin (חַטָּאת, ḥaṭṭā’āṯ) appears in Scripture is in Genesis 4:7, which reads, “sin is crouching at your door [and] its desire is for you.” Sin desires to devour life and creation and crush it into death and nothingness, and it finds its mark in Abel through the murderous actions of Cain. Since the Edenic rebellion, sin slithers and prowls and crouches in wait for every chance to destroy, corrupt, and spread, but sin has not always been a part of creation. It is a part of creation in the same way that holes are a part of the landscape. Evil is old, but goodness is much older.

Nevertheless, holes may be nothing but we still fall into them. Sin is birthed through broken and corrupted desires and when it is fully grown it gives birth to death (James 1:14-15). It comes from us and becomes much larger than ourselves. We fashion the strings and hand them to our nightmares who become our puppeteers. The shadows darken. The cancer spreads. We lurk in our own shadows for every chance to devour ourselves.

So it makes sense what Brian is saying. The idolatrous and consuming systems that we create (empire) become so overwhelming and unyielding that they almost become a thing in themselves, independent of their creators who now play the part of captives. The satan may not be a person in the way that we think of persons. Regardless, we have welcomed him in.

The Reason Why It’s No Go

The modern assumption that Satan is a figment of our imagination comes as no comfort. Simon discovered the pig’s head on a stick – a gift for the beast – and at first thought he’d found comfort. “The beast was harmless and horrible; and the news must reach the others as soon as possible” (Lord of The Flies, 134). This error would soon cost Simon his life.

In an epileptic seizure, the pig’s head had spoken to Simon. “‘Fancy thinking the Beast was something you could hunt and kill!”, it told him. “You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?” Before Simon could think of running for help, the pig’s head continued. “You know perfectly well you’ll only meet me down there” (Lord of the Flies, 130).

Simon had expected all along that there was no beast, or, if there were a beast, it arrived to the island with them. The Lord of the Flies was birthed from the scar left by the crashed plane. It nursed to adolescence on the nightmares of the littleuns, learned with Roger that there were no grownups on the island to keep him from striking children with stones, and hid behind Jack’s painted face as he crawled on all fours thirsting for pig’s blood. It let the fire go out and did not want to be rescued.

Should the Lord have spoken to Jack, he may have told him that the beast crouched at his door. The beast’s desire was for Jack, but it would find its mark in the death of others. In the end, it would devour the island in fire.

Jack’s insatiable hunger for power and control. The delight that Roger feels in hurting and eventually in killing. Even Ralph, the reluctant chief, in his resentment toward the isolated and ridiculed Piggy. The veil that separated their nightmares and their hearts was porous. Little more than hunger, boredom, or pride was needed to tear the partition.

Close, Close, Close!

My childhood boasts certain periods of satanic panic. I remember watching Tuck Everlasting (2002) as a kid and shivering at the thought that one could sell their soul to the prince of darkness. Together with Charlie Daniels’s “The Devil Went Down to Georgia”, Natalie Rabbit introduced a looming terror into my young mind. The vulnerability of my own soul tormented me to the point of tears. It took some serious conversations with my parents and youth pastors to quell this crisis.

I also recall the youth group pastime of swapping nightmares. Some of us had seen demons. Others of us had tangled with Satan himself, but this was rarer than you might think. After all, it is no small thing to spar with the king of hell. Most of us left these stories behind with our adolescence, but adulthood holds terrors of its own.

The real terror of the devil is not that this fallen archangel prowls the earth but that our hearts are vulnerable, not to his machinations but to our own. Nowadays, I am less frightened by that snake from Eden than I am by my own serpentine soul. The quickness of my anger. The frailty of my kindness. The thinness of the veil between my nightmares and my dreams. Should Satan steal my soul he would find it already a mess.

There may very well be a devil, an antichrist, or a beast, but there need not be, either. History knows no shortage of violent empires, oppressive kings, horrible wars, and economies drenched in blood. The serpent slithers in our homes, our communities, our schools, and our halls of power. Our creativity is at its best as we find novel ways of hurting each other.

I think sometimes the devil is more of a comfort to us than a curse. If we can blame Old Scratch for our problems, we can unburden our guilty consciences, at least a bit. But the book of James proclaims what we know is true: we birth sin by our own corruption. We drink poison because it tastes good. The lord of the flies is closer than we think and the line between good and evil runs down our middles.

Sin is our monstrous creation that’s gotten the better of us. Jack thought that he could hunt and kill the beast if only he’d gather enough hunters and sharpen enough sticks, but in end the beast wore him like a mask. When a naval officer finally spotted the smoke rising from the burning island forest and came to rescue the boys, the terrible silliness of it all broke upon them in waves of tears. They were playing politics and playing war, but these are bloody games.

When Christ returns, the terrible silliness of our own evil will be revealed in full. There will be weeping and gnashing of teeth at the realization that we hurt each other simply for the sake of it. All of our clamoring for thrones at the expense of others, the ways that we set ourselves up as idols, will look to us like school children battling for a conch shell. We need Christ to conquer sin and death, that is true, but I fear that the devil may be the least of our enemies.

Kneeling on Loop: Reflections on Public Theology in DFW

For those of you who aren’t familiar with the different styles of carpet on offer, there are basically three types of indoor wall-to-wall from which to choose: texture, Berber, and pattern (a cross between texture and Berber). Texture is that nice, soft twist carpet you find in most homes. Berber, also called loop, is that dense, thin carpet under which you can clearly feel a slab of concrete. I’ll let you guess which is the popular choice for high traffic areas in public spaces.

I can tell you precisely which carpet lines the aisles of Dallas/Fort Worth International Airport. For this, I have to thank my fourteen hour layover. Running on two hours of interrupted sleep from the flight before, I found the darkest well-lit corner in walking distance and curled up in a corner with headphones in and a rolled up sweater for a pillow. It wasn’t long before I relented to the reality that I would not be adding a wink of slumber lying on Berber.

Sam Lachow and Johnny Cash kept me company while I looked for something to keep me busy. Just before sunrise, the voice of God came to rescue me from my boredom. At least, that’s what the priest called it. In secular discourse, it was an announcement over the intercom informing weary travelers of a morning Mass in the room just past gate D40. Whether by faith, boredom, or curiosity, but probably by their amalgam (the priest called it predestination), I found my way into that small, discrete chapel.

I had thought that it would be empty, and I was almost right. A handful of devotees had stumbled from red-eye flights into the neat rows of chairs to receive the Word of the Lord and Sacrament. We were from different parts of the country, but we all found ourselves before the same alter this morning.

Taking Our Faith into the World

The room was like any other room in the airport, Berber and all, save for the accent wall of stained glass that overlooked the runways. The priest informed us that we had a thirty minute slot to worship together and we began. The liturgy was basic enough for any Catholic to keep up with little trouble; being a Protestant, I kept the corner of my eye peeled on my fellow faithful to insure that I wasn’t too out of step.

He wasn’t kidding about the half-hour allotment. No singing, no hymns, and nary a pause, this cobbled community of this particular layover made its way trough the reading of the Word, prayer, preaching, and half-communion (the wine was left out, perhaps a result of lingering pandemics). There was a lot of kneeling – too much kneeling for Berber carpet – and before I knew it I was back to distracting myself with various airport amenities.

As I remember the sermon, it actually wasn’t bad. The priest preached on faith and doubt and the fact that faith is more about commitment to a person than an easy agreement with doctrinal specifics. Faith is a lens by which we view the world with all its inherited promise and challenge, a lens which should affect everything we see, hear, confront, receive, and endure. Whatever our destination this morning, we were encouraged to take this insight with us: we don’t need more faith, but the commitment to act on the faith that we already have. After all, each of us would be putting faith in something or someone in due time, not least of which our pilots and aircrafts; why not similarly press into our faith in Christ? But the part that really stuck out to me the was his introduction to the chapel itself. Being part of one of the largest airport chaplaincies in the country, the priest was grateful to serve in a role that allowed him to “take our faith into the world”.

The whole experience got me thinking about a lot of things. It got me thinking about what it would be like to pastor a different congregation of strangers every Sunday morning, taking confessions and praying for people you will never see again. It got me thinking about what brings travelers through the door in the first place. It got me thinking about what state my knees will be in tomorrow and whether I had made a mistake. Most of all, as I am on my way to a public theology conference, it got me thinking about public theology.

Private Theology in a public Space

There are as many definitions of public theology as there are public theologians (you can read mine here), but basically it has to do with doing theology in a way that engages public concerns in conversation beyond church boundaries. So, it isn’t really as simple as doing theology “in public”, but I still think there are lessons (some positive, some negative) to be gleaned from my thirty minutes of kneeling on loop.

First, faith is a fundamental, central, and inescapable part of what it means to be human. It matters. It matters in church, in the home, in school, in politics, and in airports. What’s more, it is present already in public spaces, even if we hide it behind unassuming beige doors. We carry with us our allegiances and the myths by which we live everywhere we go. The modernist utopia of a faithless society is no more within our grasp than it was two-thousand years ago. If it isn’t faith in God, it’s faith in airplanes, manufacturers, bolts and screws, and pilots. Trusting in something and someone beyond ourselves is just what it means to be alive in the world. Until we accept that, we have not really accepted each other or ourselves. Until we make space for each other’s faith in the public spaces we share, we will neither be free nor equitable.

Second, faith doesn’t mean ascent to a confession (although confessions are a part of it) but action arising out of a commitment to a something or a someone. Christian faith isn’t passing some theological true or false test at the pearly gates. It’s getting on airplanes, walking down streets, getting out of bed, raising children, and doing our jobs. It is committing to Christ and his work above our commitment to comfort, class, or country. Faith is evidenced in our public lives; actually, that is exactly where it lives.

Third, shared liturgy is a powerful thing. It has the power to unite people from all over the world and from every walk of life. It also has the power to alienate and exclude. As a PhD student in a theological program, nothing has made me feel more out of place in theological spaces than saying “forgive us our debts” while everyone else says “forgive us our trespasses”. As public theologians, how do we cultivate liturgies that are accessible and formative? How do we pursue liturgies that actually form us for our public life?

Fourth, the public space is a shared space, one of the greatest challenges and opportunities of public theology. The room that housed the chapel was complete with a couple Bibles, but these were accompanied by the Quran, the Bhagavad Gita, and other sacred texts. The public realm is a library of literature over which we have little say. Are we good neighbors, or do we wax nostalgically about the days where respectable men could still burn books?

Finally, the Christian life is more than just praying “the prayer” and getting to heaven. We know this, sure, but it is also more than just looking at the world and praying that things get better. I’m certain that the DFW chapel has seen it’s fair share of nervous flyers trembling before the Lord of the skies; eventually each one had to get up and go get on a plane. It really isn’t enough to pray for poverty, gun violence, the sick, the incarcerated, and the hurting. Praying for your kids does little good if you remain in your prayer closet and the same goes for our communities. At some point, you just have to get up, walk around, and do something.

Besides, too much praying on loop is bad for your knees.

God, The Eldritch Horror: Reflections on the Terror of God

“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.” – H. P. Lovecraft, The Call of Cthulhu

I don’t remember the moment I “became a Christian”. I’m told that I was around five years old when my dad led me through “the prayer” and I “gave my life to Christ”, “accepted Jesus as my Lord and Savior”, or otherwise walked the evangelical road to salvation, but aside from this minimal hearsay I can’t tell you much about it. I can, however, tell you about the night I became an atheist… almost.

I remember leaving the local drive-in theater with my family after watching who knows what, looking up at the stars and thinking, “there’s just no way.” There’s no way that there is a God who exists beyond all of this, a being who stands before space and time and has no need for either, whose very existence depends solely on the fact of it, who just is (later, I would learn the fancy theological term for this is aseity). My mind reeled away from the thought of an unbelievably ancient yet ageless One who swallows eons in a breath and drips universes without blinking. It wasn’t just incredible—it was impossible.

Now, friends of mine are familiar enough to know that this moment didn’t stick. Actually, it’s unlikely it lasted more than five minutes, but even a few seconds as an apostate can be deafening for a committed youth group acolyte. Those brief and silent moments passed in the car, stilling looking up at the midnight stars, and a second realization hit me heavier than the first: why does anything exist at all? The same eternity that took God off the table took the table, too. Either God is eternal and necessary, a se, or the universe (or multiverse or quantum field or whatever) is eternal, and that gives me the same problems, except now we’ve got the issue of an infinitely regressive past and a present that never presents (google “Hilbert’s Hotel” when you get a chance). It’s impossible. It’s absurd. Existence itself is impossible and absurd.

And yet, here we are. So, I didn’t stay an atheist. Ultimately, the idea of a God who stands before the laws of the universe was just more compelling than a logically inconsistent and incoherent gymnastics necessary to make for an eternal universe (or the morally questionable move of calling a quantum field nothing). But this isn’t a post about apologetics and why you need to believe in God; this is a post about terror and why I totally understand why you wouldn’t.

Barefoot Angels and Outer Gods

One of my dearest and oldest friends realized they were an atheist in seminary and, whether for the nostalgia or the morbid curiosity of it all, stuck it out to graduation. They are also one of my most constant conversation partners. Recently, we were complaining about American Christianity over Barefoot wine on their back patio (only the finest for us) and the conversation slowly transitioned into geeking out about angels and demons.

My friend loved their angelology (three guesses what that’s about) class, except that the culmination of the course was reading Out of the Silent Planet by C. S. Lewis. They wish they’d read H. P. Lovecraft’s The Call of Cthulhu, which opens with a profound statement on the unknown.

“The most merciful thing in the world,” the narrator ponders, “is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.” Lovecraftian horror is a forceful confrontation with human limitation, the limits of both our capacity to understand and to control, a world with inhabit that is complete beyond ourselves.

According to my friend, this is a better way to end a class on angels and demons. Cthulhu, the embodiment of the Unknown Other, that terrible dweller of non-Euclidean cities of impossible angles and indescribable geometry where the laws of physics and mathematics break open to reveal a chaos untraversable by anyone save the old outer gods, the mere glimpse of whom induces insanity, is a better exploration of the so-called spirit realm than an exploration of Christianity in space.

I have never read Lewis’s Space Trilogy, but I think my friend has a point. Biblical angels are not altogether unlike one of Lovecraft’s eldritch abominations. Cthulhu is described as having a “vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind.” Ezekiel, in his vision of the chariot throne of the Lord, describes a similarly horrifying admixture, an amalgam of faces human, lion, ox, and eagle, cloven hooved with four wings spread wide above towering eye-covered spheres and wheels. It is no wonder, then, that people throughout Scripture cower at angelic visitations.

And yet, more terrifying still than the ones above the wheels is the one upon the throne.

Moses met this God in an unburning bush and had the audacity to ask for a name, but God has no name to give. “I am the God of Abraham, Isaac, and Jacob” is the reply, but this does not satisfy Moses. Names give people a sense of ownership, of control. There is great comfort that comes with the familiarity of a name, but God is the Nameless One. God has no name because there was no one there to name him. There was no point at which God came into existence to receive a name, and so the famous response: “I am who I am.” Yahweh, a name that is in the same breath no name at all, warning Moses that there is no one before or above the Lord, the holiness of God.

The Horror of Holiness

Holiness in contemporary imagination elicits pictures of saints or gurus, or worse purity culture and people who don’t drink, smoke, or associate with the sinners. But this is not holiness.

To be holy is to be set apart, or to simply be apart from something or someone else. For God, to be holy is to be wholly other than that which God createdincomprehensible, ineffable, inexorable. Throughout Scripture, God is the one upon whom no one can look and live, hidden above the mountains in storms and fire. Ezekiel met this God in a whirlwind that flashed with lightning along the river Kebar. Isaiah was caught up into the heavenly court, as the six-winged seraphim shouted “Holy! Holy! Holy!” to the one who sits on the throne, and his only thought was, “Woe is me! I am undone!” A better translation might be, “I am about to be destroyed” by the one so utterly other than anything imaginable.

The holiness – wholly otherness – of God is terrifying. Mountains are big, but you can climb mountains. The moon is far away, but we can go to the moon. Monsters lurk in the shadows, but we can beat the monsters if we just find the right stuff (garlic, or perhaps some silver bullets). God, on the other hand, is beyond all of that. Isaiah saw upon the throne what Ezekiel saw in whirlwind and Moses saw in the unburning bush, a God who cannot be contained not because he is so big but because he is beyond and before dimension. We cannot reach him, not because he is so far away but because there stands an impassable canyon between the created and the Not-created. God cannot be beat, not because he is so strong, but because he is who he is, the only necessity of any reality. There is, has never been, and will never be, a Without God.

If I think about the depth of God’s aseity, holiness, and ineffability, my mind reels away from the thought. Cthulhu has no horror like the shapeless, dimensionless, eternal, spaceless, formless, beginningless God. That this God is at all is wild, unbelievable, and strange. It is unfortunate that many Christians don’t seem to get that, but it is the inescapable dilemma of theism.

Nowhere and everywhere, this Dweller of Oblivion inhabits the bones of the reality he created out of Nothing. Before there was, he is, existing in perfect Triune harmony completely satisfied in the eternal communion of what is. No substance, no form, no shape or dimension, no words, no sounds, no time, and yet, God and God together alone. Truth be told, I have yet to hear of anything more horrifying than the Triune God who just is and always will be, for no other reason than that he must.

My friend and I found the bottom of the Barefoot bottle and with it other, less frightening conversations. It seemed like we talked about everything under the sun and everything above, as well. We disagreed on almost everything, but there was one thing on which we were in total agreement.

God is terrifying.

Cover Image Attribution: Sofyan Syarief – gambaryance.deviantart – artstation.com/artist/gambaryance – behance.net/gueyance – instagram.com/sofyan.syarief, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons. Modified to fit.

A Theology of Waiting in the Emergency Room on Father’s Day

I remember sitting at home with my wife and newborn a few years back, watching a movie and making fun of our two cats, Guacamole and Periwinkle. Without warning, Periwinkle stood up on the couch and fell over, collapsing onto the ground and spazzing out, writhing around on floor. I jumped up from my chair, scooped him up, and looked into his eyes. He was so, so scared. In a blink, he went limp in my arms, completely lifeless.

I don’t know what killed him. I’d guess a heart attack, but who’s to say? Whatever the cause, I think about that moment a lot when I think about death, watching the life leave his eyes and feeling it – actually feeling it – leave his body. Things are heavier when they aren’t breathing. I felt so completely powerless. That night, I buried him beneath a massive catalpa tree, feeling more like my father with every strike of the spade against the dirt. After all, it’s a father’s job to bury dead pets.

This year, I spent Father’s Day holding my one-year-old daughter in the emergency room.

She fell off the couch backwards and the back of her head hit the ground pretty hard. She’s taken tumbles like this before, so I picked her up and rocked her and shushed as she cried. After a few seconds of hard crying, she went limp in my arms, the familiar ragdoll She came to pretty quick, after only a few seconds, but she was lethargic and sweaty and barely responsive. We ran to the car and sped to the hospital to have her checked for a concussion or something worse.

We checked in and took a seat in the crowded emergency room. All I could do was keep reliving that moment where I felt her leave, even if for just a moment, and how heavy she became in the spit second when she wasn’t breathing. I kept thinking about the Facebook posts you see every once in a while about someone’s kid seeming fine after an accident and then taking a sudden turn for the worse. I kept thinking about my cat. But mostly I kept thinking about how powerless, fragile, and vulnerable we are.

After about an hour of waiting, I started to take more notice of the people waiting around us.

It was mostly old people. Maybe they’d fallen or were feeling sick. But there were some younger people, too. One guy in his late twenties was rolled in on a wheelchair covered in a hospital blanket. From what I could tell, he was wearing a nicer button-up short-sleeve dotted with cherries, a proper hipster. His girlfriend walked in after him; she had her makeup done and looked like one of those girls who really loves TikTok. Clearly neither of them had planned to come to the ER today.

There was another guy who refused to keep his mask on who keep groaning and squirming in his seat. Every twenty minutes or so he would get up and go ask the nurses if he could skip the line. “All I need is a shot,” he would say. To be fair, he seemed to be in a lot of pain, but we were all waiting in the same line for things we all believed were important. There is no cutting in the ER. He ended up leaving before being seen, still groaning and shambling through the door.

Except for the fifty-year-old who was led in by what looked to be his daughter and maybe his father. When they asked for his birthday, he couldn’t tell them. “Four…” was all he said, so they fished an ID from his pocket as he kept trying to walk around. The older guy with him just kept saying that he wasn’t making any sense, so they took him straight back. Probably a stroke, but I’m not a doctor.

The next thing I noticed were the shirts people were wearing. One guy who seemed to have had some sort of accident came in wearing a shirt that said “Is My Bike Okay?”, but it was upside down so that people could read it if he were lying on the ground with his head toward you. It’s a funny shirt I guess, but the irony of it exceeds the humor. Unless he wasn’t biking that day, but in that case, why wear the shirt?

One of the most on-theme shirts was one that said “Proud Dad of A Freaking Awesome Daughter”. The back just said, “Lu’s Dad”, so I’m guessing Lu made it, and I’m guessing Lu’s dad also didn’t want to be in the ER on Father’s Day.

There was a classic Dunder Mifflin shirt and an even more classic Sponge Bob shirt, but the shirt that really jumped out at me was the one with the American flags that said “Joe and the Hoe Gotta Go.” I bet the guy felt very clever wearing that shirt and slut shaming someone he’s never met. I bet he felt like a big man degrading women like that. And I bet he felt rather Christian while doing it. I guess I can’t know for sure, but in my experience the people who wear those shirts are typically churchgoers.

And then there was the hospital itself. It was clean, I guess, but it didn’t feel that way. The chairs had little rips in the fabric and the paint was fading. The windows were smudged. The paper towel dispenser in the bathroom was out, so they just put a roll on the counter. Two of the three vending machines were out of order but still fully stocked. Perhaps most alarming, there was poison ivy growing in the flowerbeds out front.

The whole experience felt wrong and off. In our two hours of waiting to see if our daughter was okay, the same thought kept finding its way into my mind: it shouldn’t be like this.

The vending machines shouldn’t be out of order. The paper towels should be in the dispenser. You shouldn’t have poison ivy lining your walkways. The hospital should invest in a fresh coat of paint. And the MAGA guy shouldn’t sexually degrade people he disagrees with. And people shouldn’t have to wait two or three hours to receive medical attention.

But more than anything else, as I’m sure the cherry-shirt hipster would agree, we shouldn’t be there to begin with. I shouldn’t spend my Father’s Day worrying about my daughter’s wellbeing. People shouldn’t get old and sick. Babies shouldn’t go limp. Dads shouldn’t have strokes on Father’s Day or any other day for that matter. And people shouldn’t die.

But we do. And that sucks.

I’m a doctoral student studying public theology at Fuller Theological Seminary, so now I’m thinking about what all of this has anything to do with what I’m studying, or vice versa. I mean, the ER is a pretty public place. I know that most theologians have spent time in the ER or waiting by a hospital bed, but I wonder why so many of our sermons and our systematic theologies don’t feel like they have. They are clean and tidy and don’t seem to be asking questions that matter to the cherry-shirt hipster or to the dying. Of course, they are asking questions about life and death and God and sin, but the package they come in seems so far removed from lived experience. They feel more sterile and clinical than the room we were finally called back to.

After almost four hours, our daughter had finally been seen and we received good news. She was perfectly healthy in every way. Apparently, when babies hit their heads they sometimes cry so hard that their body shuts down and resets. It’s wild. We left the ER and went back to the house to celebrate Father’s Day and try to put the whole ordeal behind us, just hoping out-of-state insurance will cover it.

But I know not everyone left the ER with good news that Father’s Day, if they left at all. And I know that there are thousands and thousands of people all across the country waiting hours to hear bad news. There are people kneeling by hospital beds praying to silent gods. People are dressing up for dates that won’t happen or hugging their children for the last time.

And all I know is that we need to do our theology in a way that matters to them. Our theologies need to feel like they know what it’s like to spend hours in the dark. Otherwise, how helpful are they for the time we spend waiting?

The Butchered Body of Christ: Reflections on Good Friday

Spoiler Alert: Jesus Dies!

On February 25th, 2004, Mel Gibson’s The Passion of the Christ arrived on the big screen, just in time for the start of Lent. I wasn’t yet a decade into life, but I remember my friends talking about the “new Jesus movie” that their parents wouldn’t let them watch because it was rated R. Over the next several years, some of the more edgy, atheistic, and of course, enlightened among my peers would say jump at any mention of The Passion and say something super clever, like, “spoiler alert: Jesus dies!”

Personally, I wouldn’t see it for another six or seven years. You could say I missed the hype.

It’s been at least a decade since I watched the movie and while I do remember crying at some point I can’t say I remember much else. I remember that it was the first movie I’d seen with subtitles. I think I remember the cat-o-nine tails scene. Oh, I might be wrong, but I seem to recall Satan holding a baby at some point. But for what it’s worth, at the time of writing this, The Passion has a 7.2/10 on IMDb with 93% of Google Users liking the movie. It only has a 49% on Rotten Tomatoes, but I stopped caring about the Tomatometer when it gave Hocus Pocus 38% and The Last Jedi 91%.

With a $30 million budget, The Passion raked in $611 million worldwide (compare that to another Gibson classic, Braveheart, which made just over $213 million). For that amount, you’d expect a pretty big impact on audiences, especially given the sacred hype surrounding the film.

However, a Barna survey examining the impact of the film in the months following its release found that only 10% of viewers indicated that they had influenced their religious beliefs and practices. The most common behavioral change inspired by the movie was praying more often, a result indicated by a mere 9% of viewers. Despite being labeled at the time as one of the greatest evangelistic tools ever, less than one-tent of one percent (<.1%) admitted making a profession of faith in Christ as savior in response to the film. What’s more, less than one-half of one percent (<.5%) of the audience attested to an increase in evangelistic impulse after seeing the film. Despite the intense and emotional immediate reaction to The Passion, it failed to deliver the long-term effect of life-change, devotion, and the desire to tell people about Jesus.

Commenting on the results of the poll, George Barna simply said that “people’s memories are short and are easily redirected in a media-saturated, fast-paced culture like ours.” That was 2004, just before the rise of social media, a time before Twitter and TikTok; how much truer it rings today.

The Death of God

It’s strange for a movie about the suffering of an innocent man to do so well in the box office. Many people purchased several tickets so that they could watch the slaughter of Jim Caviezel over and over again, so I wonder what people were chasing. As a teenage Christian, I know that I was chasing that sweet feeling of weapons grade piety that comes from visceral spiritual experiences. Ten years later, I know that I cried because I went into the movie wanting to cry, because crying is what good Christians do when they think about the cross. As the above Barna study attests, the drug wears off pretty quick.

Despite being the foundation and center of our faith, I don’t think that American Christians spend much time thinking about the crucifixion. You won’t get far in this country without seeing the cross inked on someone’s arm or hung from their necklace, or dotting ditches along the highway, but I don’t know that we spend much time thinking about it. Even on Good Friday (a phrase about as odd as turning a torture device into jewelry), we tend to rush ahead to Easter, but this year has given us several reasons to contemplate the death of God.

In God for a Secular Society, Jürgen Moltmann spends some time meditating on the suffering of the world and what it means to see God “in the victims of our own violence” (20). Now, tabling any evaluation of Moltmann’s divine metaphysics (i.e., God’s ability to suffer), I think he’s onto something here. Reflecting on Nietzsche’s now cliché declaration that humanity has killed God, Moltmann says that it is not in the academy or in the mind of philosophers that we kill God, but in our violence toward each other.

We kill God when we make his image the victim of our violence, for God is in his image. We kill God when we shut out strangers and drive them away, for God is in the stranger. We kill God when we choose death instead of life, and secure our own lives at the price of the death of countless other living things, for God is a living God. Anyone who infringes life, infringes God.

God for a Secular Society, 20

For Moltmann, the crucified God “looks at us with the mute eyes of the street children” (20). That is, God is present in and with those who are suffering. This is rather reminiscent of Christ words in Matthew 25, that when we feed the hungry, sate the thirsty, invite the lonely, and clothe the destitute, we do it all to him, and that when we fail to do so, it is Christ himself whom we turn away.

The Butchered Body of Christ

Whatever Good Friday is, it isn’t supposed to be torture porn. That said, Christians aren’t supposed to be unacquainted with the cross, nor are we supposed to be far from suffering, ourselves. If either Moltmann or Matthew are correct, then the Godman Jesus Christ is present with and in the suffering masses of the world. Whatever Christians were chasing when they flocked to the theaters in 2004, what they found was cinematic, contained, and two-dimensional. While not discrediting God’s ability to work through actors, they saw the passion of Jim Caviezel, not the passion of Jesus Christ, because Christ isn’t suffering in the script. He is suffering in the streets.

Christ is suffering in the COVID wards as the world slowly moves “back to normal”. At the border, he is being turned away, or worse (and more likely), detained and separated from his family. He is counting down the days on death row for a crime he didn’t commit. He is being gunned down in schools, movie theaters, and concert halls. He is choking on dust, debris, and smoke in the alleys of Kyiv and Mariupol and lying dead in the streets of Bucha. All around us Christ suffers, but we have habituated to the sounds of his screaming. That is, if we ever had ears to hear in the first place.

This Good Friday, I’ve been thinking about what it means for to identify with the passion (suffering) of Christ, by which Christ identified with the passion (suffering) of the world. What does it mean that Christ bore the full weight of sin and death? We theologians have no shortage of categories and confessions, but it at least means that Christ is no stranger to the deepest depths of pain. Now seated at the right hand of the Father, he knows what it’s like to endure so much anguish as to be certain that God has abandoned him. He knows what it’s like to die.

Goodbye, Olympus

Of course, these short reflections don’t solve any problems, but for me they offer a different starting place to this three-or-four day weekend. They remind me of the John Mark McMillan song I often sing to my daughter about how in the absence of a satisfying theodicy Christians can offer the only Savior who suffers with his people: “I have no answers for hurt knees and cancers, but a Savior who suffers them with me/ Singing goodbye, Olympus, the heart of my Maker is spread out on the road, the rocks, and the weeds”.

The gods of Olympus may have been emotional, but they did not cry with their worshipers. In Christ, God has dwelt in shadows far deeper than we could imagine. He, too, bears the scars of a world at war with itself. The offensive claim of Christianity is that it is in these scars that we are made whole, that the spear that pierced his side dripped with the love of a God willing to suffer with and for his creation.

Our “celebration” of Good Friday is a reminder that while Christ has been raised, Sunday has not yet come for us. Creation groans for the day when Jesus returns to set all things right. In the meantime, we and Christ groan with it. Let us not be among those who shout “Peace! Peace!” when there is no peace (Jer. 6:14). To be sure, the Christian life is often one of dancing, but let us not forget that Christ calls us to hear the dirge and to mourn (Matt. 11:17). On this Good Friday, let us remember the butchered body of Christ in our midst and ponder what it means to be his nail-pierced hands and feet.